A Midget Comes to Chigger Hollow

Midget truck drivers didn’t show up in Chigger Hollow every day. In fact, there weren’t any midgets at all in Chigger Hollow, so when one did show up it was momentous.

The semi pulled into the parking lot of the Chat ‘n’ Chew convenience store about 4:30 in the afternoon. Norma Rae started a fresh pot of coffee. Usually truck drivers could be counted on to buy a couple of cups, even if it was late in the afternoon. Hearing the water begin to drip through the grounds of the Biff Brand coffee, she perched herself back on the duct-taped vinyl stool behind the counter and went back to her True Confessions magazine.

Out of the corner of her eye Norma Rae noticed a woman coming into the store. The woman was followed by a child. Norma Rae didn’t take much notice because the State Trooper from up at Possum Grape had told her in casual conversation that women and children don’t tend to be convenience store robbers. Men were the ones to watch out for, and if a man came in alone, followed by another man, and neither one parked where she could get a description of the car or the license in case of their quick getaway after a robbery, she should take special notice and ease the handle of the shotgun close to the edge of the shelf underneath the counter.

Popping the top on another Coke Zero Norma Rae turned the page in her True Confessions. “I Was a Teenage Pasta Wrestler” looked to be an interesting article. The picture of a pretty girl with a pouty mouth, who looked for all the world like Rhonda Sue Ellis, the valedictorian of Chigger Hollow’s Class of 1995, just with blonde hair, was inset on top of a black and white photo of two women completely covered in ragu and grappling with each other to the cheers of abnormally handsome young men who hung on the perimeter of the wrestling ring.

The woman came to the counter with a large cup of coffee and a package of chewing tobacco. Without looking up, Norma Rae scanned the two items. “Four eighty-seven,” she said, holding her hand out and sneaking another look at the black and white photo. Was the woman on the left wearing a top? Was that a mushroom in the spaghetti sauce or were her nipples hard from the excitement of the contest? She took the five dollar bill from the customer and handed her a dime and three pennies. Norma Rae was well into the first paragraph of the article when someone cleared his throat.

She looked up. She didn’t remember seeing anyone come in after the woman, and she had been alone in the store. She peered over the display of breath mints and beef jerky but didn’t see anyone. She went back to True Confessions.

This time a cough made her look up. No one was standing at the pay counter, which stood as high as her ample chest when she wasn’t sitting on her stool. Norma Rae remembered everything Danny Kitchens, the State Trooper from Possum Grape, had told her and she eased the butt of the shotgun toward the edge of the shelf below the counter.

“Hello?” she asked uncertainly.

“How much for two drumsticks and half a dozen biscuits?” a man’s voice asked. Norma Rae jumped.

“Drumsticks are eighty-five cents each and biscuits are five for two dollars,” she said. It must be a short guy, because he was apparently hidden behind the tall display of Slim Jims. She moved off her stool and peered around the display. She didn’t see anyone.

“I want six biscuits, not five,” the voice said.

“Six biscuits are, um…” Norma Rae cursed herself for forgetting where the calculator was kept. She was terrible at math.

“Are they the same price whether I buy five or if I buy, say, three?” The voice seemed to be getting impatient, but Norma Rae still couldn’t figure out where its owner was standing.

“Well, no,” she replied, her tone conveying her obvious opinion of such a dumb question. “Five biscuits are two dollars. Three biscuits are less than that.”

“So are three biscuits a dollar twenty?”

“How should I know?” she snapped. She stood on the foot rest rung of her stool and leaned out over the counter, hitting her head on the cigarette display above the cash register. “Damn!”

A cup of coffee appeared at the check out counter. Norma Rae leaned out again. This time she ducked. The voice belonged to the kid. No, to the midget. The kid was a midget.

“I’ll have to ring it up to get you a total,” she said, staring at the man. Despite his stature he was the most perfect specimen of virility Norma Rae had ever seen. Muscular arms reached up to slide a package of Mentos onto the counter next to the coffee. The arms were attached to a wide chest bulging with well-chiseled pectorals, which were clad in a tight navy blue t-shirt.

Norma Rae could not help but let out a breath of amazement. “Oh, wow,” she said eloquently, her eyes wide with awe.

“What, you’ve never seen a dwarf before?” the man asked. His eyes had narrowed and his lips curled into the manliest sneer Norma Rae had seen since Billy Idol’s “White Wedding” video on MTV.

“No! Oh! I mean, I’m just surprised is all,” she managed to babble.

“Are you going to let me buy chicken and biscuits?” the Perfect Specimen demanded.

“Oh! Yeah! Um, do you want spicy or traditional southern?”

“Southern. And I want six biscuits.”

“Do you want any mashed potatoes or turnip greens with it? Bessie Maydar makes the greens and they are to die for. She mixes in just a little mustard greens and some hot sauce while they’re cooking and they come out good enough to make you feel born again without ever going to church.” Norma Rae knew she was babbling but she couldn’t stop. Now why did she tell this Perfect Specimen of Virility Bessie’s secret ingredients? Bessie had sworn her to secrecy on the back porch while they were each into their fifth margarita one night. And “born again?” Where the hell did that come from? Norma Rae was Seventh Day Adventist, and except for the occasional cuss word she was true to her faith.

“How much?” Evidently this Perfect Specimen of Virility was on a budget.

“Ninety nine cents.”

“Not a dollar?”

Norma Rae shook her head. The power of speech was rapidly exiting her brain the longer she gazed on his biceps.

“My name’s Norma Rae,” she said. Then she realized that not only had the Perfect Specimen of Virility not asked, but that he seemed surprised that she would even share the information.

“I’m Willy,” he said.

“So do you want the greens?”

“Okay, fine. Two drumsticks, six biscuits, and a side order of greens,” said Willy the Perfect Specimen of Virility.

“That’s five forty five,” said Norma Rae after punching the order into the cash register.

Willy gave her a ten dollar bill. She gave him change.

“Are you going to get my food?” Willy finally asked, and Norma Rae realized that she was still leaning across the counter staring at him.

“Oh, god!” she exclaimed, hopping down from the stool. Now she was really embarrassed. She had taken the Lord’s name in vain in front of the Perfect Specimen of Virility and she was acting like a dummy. Shit! She hurried to put the chicken and greens in a Styrofoam container, and put six biscuits in a small paper bag. She climbed back up on her stool and leaned out to hand the container and the bag across the counter and down to those wonderful waiting arms, which she could imagine wrapped around her in a bear hug so tight it would make her groan.

“Can I get anything else for you?” She asked hopefully.

“Nope.” Willy reached for the coffee and Mentos, arranged his load, and headed for the door.

“Wait!” cried Norma Rae.

The Perfect Specimen turned around.

“Come back soon,” she murmured weakly.

Willy the Perfect Specimen nodded solemnly and went out the door. Norma Rae didn’t even realize she had failed to charge him for the coffee and Mentos.

to be continued….

Romantic Scene

“I’m lonely,” Minna admitted.

“So am I.” He didn’t look at her, but looked away, beyond the trees, down the path to the valley.

“I didn’t like living with the children’s father, but I’m still lonely for a man.  Crazy, isn’t it?” Her words were thoughtful, musing. She let her sewing drop to her lap, stilling her hands. Instead of following his gaze, Minna looked the other way, down to the sparkling lake that fed the crops and watered the livestock. They were both quiet for several minutes.

“Do you know what I miss?”  Minna’s voice had a dreamy quality to it.

Unnoticed by her, Ben had leaned back into the grass and was watching the clouds and they took on the colors of late afternoon. He turned his face toward her now, seeing that her chin was in her hand, her eyes glazed in her daydream.  Startled by how young she looked with wisps of hair escaping her braided coil, he could only stare. In this light, her hair looked like flaming silk of scarlet, gold, even platinum.  Her face, normally creased with worry and sorrow, was unlined. The angle of the sun softened her colors and melted them into swirling hues that echoed the sunset. He longed to paint her.

“I miss kissing.”  Minna continued, and seemed to be only peripherally aware of Ben’s presence and completely oblivious to his attention. “I miss really, really kissing. I miss those deep, enthusiastic, passionate kisses that only new lovers kiss. I miss touching. I miss the feel of fingertips brushing against my skin.  I miss kisses that take my breath away and a light touch that makes me shiver with anticipation. I miss him taking my face in his hands, looking deep into my eyes, tangling his fingers in my hair…”  Her voice drifted into silence.

Ben drank in the shading, the shapes, the colors.  If he never saw her like this again, if she never opened her soul this way again, he had to remember it.  He had to keep this moment in his heart and his mind. He willed her to continue.

“I miss romance,” she said softly. “I miss that feeling of being desired by someone.”

Ben let out a breath, long, steady and low.

“I want passion all the time,” she continued. “I’m greedy for it. What’s so sad is that it only happens at the beginning of a relationship. Every relationship I’ve ever seen gets to the point where the passion fades, and there’s nothing there but habit, complacent routine.”

Belying his assumption that she didn’t remember he was there, she suddenly turned to him. “I want the kind of passion that happens when he comes home and I’m standing at the stove,  and he comes up behind me, gently moves my hair aside and kisses me on the neck. I want to lean back against him and close my eyes and savor the feeling of being loved and wanted.”

Her breath came fast. “I want the passion that happens when I touch his shoulder as I walk past, and he reaches for me and pulls me into his lap.  I want the kind of passion that happens when he says he’s going for a shower and he pulls me in with him, then we bathe each other slowly and carefully, with serious attention to every inch of skin.  I want the kind of passion that happens when he wakes me in the night just because he wants to touch me, and wants me to touch him.”

Ben’s eyes widened.  His lips parted.

“I want passion that stays,” Minna said fiercely. “I want passion that is just as physical as it is emotional.  I want to desire, and I want to be desired.  I want to feel my skin become electric under his touch, to yield to his touch, to open my heart and my soul and my body to him, to give him every drop of what I have to give. I want to trace the outline of his body and feel it respond to me.  I want to watch him sleep next to me. I want to wake up because he is watching me sleep. I want to be in his heart, and I want to give him mine.  I want to drink his essence and know that he drinks mine, too.  I want to be his passion, and I want him to be mine.”

Prufrock and Other Observations

When I was in college I took a class in poetry writing. I had this crazy idea that I could do it at least as well as many out there, and better than quite a few.  I enjoyed doing it, and kept at it for a number of years, until the responsibilities and depressing reality of marriage and work stole my muse.

How arrogant was I when I thought I could write?

Let me tell you just how arrogant I was.

I was arrogant enough to think I could improve upon the great Thomas Sterns Eliot.  In my arrogant delusions of grandeur, I believed that Eliot’s whiny Love Song of J. Alfred Prufrock needed improvement.

I was just the gal to improve it, too – I knew exactly the elements it needed. It needed a dose of realism, I thought, and not just anybody’s realism, either. It needed the realism of a twenty-something wise-ass. After all, I had the real skinny on life. At the time I wasn’t bogged down by the silly responsibilities and obligations that get in the way of people with families and jobs and mortgages.

Imposing realism on an unsuspecting, conventionally-oriented public takes open eyes and open minds and open hearts! And back in the early 1980’s there wasn’t much that was more open than a female college student’s legs. (This before AIDS. Herpes was incurable, but not fatal. We had antibiotics for the rest. So free love, baby!)  Yes, I was a college student then.  Don’t assume, though, that just because I was in high school and college in the late 70’s and early 80’s that I lived a life of drunken debauchery.  Oh, dear me, please do not assume that!  Wait until you have gathered proof.  I mean, faced with incontrovertible proof I won’t deny it.

Oh, and, twenty something years later, I must really, sincerely apologize to Mr. Eliot.  I promise, honest, swear on a stack of Bibles and on my father’s grave, that this poem is not really all that autobiographical.  And I’ve changed since then.  I’m a middle-aged matron now, the sainted mother of a teenage son.  I’m a virgin, really….

Here it is: my morning-after tribute to J. Alfred Prufrock.  Or whatever his name was.

The Morning After the Love Song

Let me see now, how can I,
While the sun is still belly-low in the sky
Like an ancient whore in a back room,
How can I, from this strange room through this strange street
Make my retreat
And forget the stops nearly made at cheap hotels,
Leaving behind me the oyster shells,
The memory of a night of lust and heat
And of nearly making it in the back seat?
It leads me to an overwhelming question…
I dare not ask why I did it;
I’ll never admit it.

Beyond the door the paperboys come and go.
I think they know.

The yellow stains upon the windowpanes
Are nicotine stains on the windowpanes,
Smoky stains from nights like the last,
Lingering in the light that comes through the windowpanes.
Smoke belongs in chimneys
To be sent out over the roof at night,
Boiling slowly out of the house
Not to block the windows’ light.

Of course there should be a time
That a window’s light is blocked,
Like at night when I try to sleep.
That is the time, but not the only time,
For a room to be dark and its door locked.
There’s also the time when we procreate
And the time when our hands
Reach for ourselves (when we masturbate).
Time for me. Time for me.
I have time for a hundred indecisions
And for a hundred visions and revisions
Before finding the car’s key.

Beyond the door the postmen come and go.
I think they know.

And now is my time!
Do I dare?  Do I dare?
Do I dare escape and descend the stair?
I am pinned under him by my own hair!
How can I move? How can I squirm
Away from him?  I wish he’d turn!
Perhaps slowly, slowly I can squirm…
Do I dare
Disturb his sleep?
In a minute there is time
For decisions and revisions which a minute will keep.

Oh, I remember them all, remember them all:-
I remember the evenings, mornings, afternoons.
I have measured my life by the length of afternoons,
From long in the summer to short in the fall,
From one television season to another
Secrets from myself I have yet to uncover.

And I remember the shows; I’ve watched them all –
The shows that catch you and force you to follow
Their silly stories and repetitive prattle.
I’ve watched them all, I’ve watched them all
Until my mind has begun to rattle
And my mind and spirit have become hollow
Secrets from myself I have yet to uncover.

I have known arms such as his, known them all
Arms that are muscled and bronzed and bare
(Arms that have me trapped by my hair!)
Is it his smell or perhaps his undress
That makes me so digress?
Arms that lie along beside me, or arms that call
Secrets from myself I have yet to uncover
Because my mind has begun to rattle…

Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirtsleeves, leaning out of windows?
If I had a pair of claws
I’d have torn my hair and scuttled away at dawn.

It’s almost afternoon, yet he sleeps so peacefully!
I attempt to peel away his fingers.
Asleep … he’s still asleep, the malingerer,
Stretched out in this dirty bed beside me!
Do I, after a drunken night’s nap,
Have the strength to force the moment to its crisis?
But though I have agonized and squirmed and prayed,
I have seen a vision of my room mate opening the door with a snicker,
And in short, I am dismayed.

And could this have been worth it, after all,
After the drinks, the oysters, the drinks,
Among the lounge lizards, among sone talk of him and me,
Could this have been worthwhile
To have bitten off my arm with a smile,
To have squeezed myself into a ball,
To roll myself toward some overwhelming question,
To say: “I am Magdalene, come from the bed,
Come from a stranger’s bed, and I’ll never tell you all –
I left one with a pillow under his head…
I shouldn’t say anything at all
Nothing, nothing at all.

And could this have been worth it after all,
Could this be worthwhile,
After the broken romances and cooling of passionate heat,
After the gothic novels, after the dreams of skirts that trail along the floor –
After all that, and so much more?
It is impossible to say just what I mean!
But as if a magic lantern could cast a light to expose me
Would this have been worthwhile
To expose myself to me, and tell myself all,
To look in the lantern’s glow and say,
“That is not me at all,
“Not what I meant to be at all.”

No!  I am not Ophelia, nor was I meant to be;
I am almost a harlot, one that will do
Anything to swell my own ego, start a scene or two,
Opposite the virgin; no doubt an easy tool,
Deferential, glad to be of use,
Easy, uncautious, not meticulous,
Full of high living, but a bit obtuse;
Almost, at times, the Fool.

I grow bold… I grow bold…
I shall be out of his place before out of bed he has rolled.

Shall I leave my hair behind? Do I dare as bed springs screech?
I push away the white cotton sheets, the white-sale-special sheets.
I can hear the children calling, each to each.

I do think they will call to me.

I have seen them playing stickball in the streets,
Taunting their playmates and strangers who dare to pass
As traffic becomes heavier and their Mamas go to mass.

I have lingered in this filthy bedchamber
With its walls splattered with dirty reds and browns
‘Til children’s voices have waked him, and he frowns.

The Gift

She was gift-wrapped just for you
in the prettiest paper she could find,
and tied with a ribbon to match
the shade of her eyes.
Her small box was taped
securely shut.  Inside
she was laid in a bed on soft, white tissue
because she was fragile, and might break.

One of many packages
under your tree she waited
for you on Christmas morning.

When you opened her
you cast aside the green ribbon,
and admired the paper, careful
not to rip it.  With scissors
you sliced the box’s tape and
said the tissue bed was nice.
You pulled her out, then with your
scissors casually snipped out
her heart, dropped it, and crushed it.

Villanelle

We sat and watched the leaves, and children played
In parks where flowers bloomed and grass was green
We didn’t know for how long we would stay

To wait for autumn’s golds to turn to gray.
We clutched each other’s hands while sunlight streamed.
We sat and watched the leaves and children play.

We two were trapped by habit.  Every day
We begged for freedom calmly in our dreams.
We didn’t know for how long we would stay

Together, but there was no easy way
To break ourselves apart and still not bleed.
We sat and watched as leaves and children played.

The tangled paths we wove along our way,
We thought, would give us something to believe.
How long, we didn’t know, but still we stayed

To hide in desperate lies, to learn to pray
To something other than what we believed.
We sit and watch the leaves, and children play.
We don’t know for how long, still we stay.

Departures

Tonight, I’ll level this house.
But now, to save myself, here’s a hemlock
created to keep me sane:
Valium soaked in tequila is washed away
with an Alka-Seltzer chaser.

I sit alone in a red room
Waiting for your punch line.
Your joke is not funny
And I sip the cocktail
Designed to fill me with venom.

You cleared your throat last night
In your sleep you rolled over,
Embraced your pillow.  Morning came
And you said you loved me,
Pretending I didn’t feel you
Touching her as you touched me.

Today I asked about the girl in your pillow.
You shrugged and looked the other way.
You tried not to smile as
Icicles grew around your teeth.

I take another poison swallow.
It shudders through me like primed gunpowder
And I wait to explode.

Allegory (of a Climbing Rose)

Autumn words mean September sighs
And December saying, “Sorry,”
As snow begins to cover any bare essence still blooming.
You’re trying too hard
To brush  flakes off the dying stems of roses
That pricked us when we admired them.

In springtime we planted this vine
To symbolize our love
(And to cut down on the florist’s bill).
You said to be tender with the vine;
Touch, caress the leaves but not the petals.
And when you weeded around its roots
It stabbed you
Held you
Until I could pry you loose.

Then in summer
I helped you nourish it
Because we feared drought
And we had to protect the symbol
Of our irony.

We became proud of an achievement
That should have come naturally,
And the exhibition of our vine became vital,
Just to confirm our suspicions that
Vines like ours are made, not born –
Then, of course, the petals began to fall away
One by one
Until nothing was left
But several brown extensions
Where you will finally allow
The snow to gather.